My work concerns the distance between lived experience and what can be made visible to others. The systems we use to represent ourselves now sit inside that distance: they shape how we perceive, remember, and relate to one another. What is communicated is never quite what was experienced, yet the representation persists, and goes on without the person it came from.
Working between cinema and computation, I am interested in moving images that no longer depend on the recording of a prior event. In what I think of as post-lens cinema, images can emerge through processes unfolding in time, with duration becoming part of their construction rather than simply their measure.
I approach rendering as both a technical process and a condition of human experience, where the attempt to make something present inevitably transforms it, while something remains beyond what can be captured or transmitted.